THE THREE TABERNACLES – Part 2

by MJSmith

CHAPTER 10 (Continued)

                                                         SCIENCE
             THE PARAMOUNT MATRIX (1894) – EARTH*STAR VOYAGER
                                    “THE EDIFICE – MOTHER’S CHURCH
                        “The First Tabernacle—“creation,” (S&H 517:9)

Shadowchurch

            In the drawing above of The First Church of Christ Scientist, in Boston, it stands alone without the Extension.  Notice that there is the dove of divine Science descending down with a detached branch in its beak.  This matches the dove seen in the second drawing for the eleventh Illustration in Christ and Christmas titled THE WAY (seen below is part of THE WAY, as the dove is hard to make out in the full view I have of the Illustration).

the-way-birds-b

            “The (little) Mother Church is the best interpreter of the limitations of ‘Mother.’  It is lighted by {a star with seven points of light, in the skylight of the auditorium (a picture of this skylight is seen further on)} …and the vestibule leading to Mother’s Room (the latter closed in 1908, Nov. 21, 1908, Sentinel), is also lighted by a seven pointed star {which I do not have a picture of}.” (p. 474)

Bird's Eye View

            Above is a drawing I did, several years ago (even before I saw a satellite photo of the Church) of the original Edifice in Boston.  I am not sure I am accurate with the directions in it either (without actually going there and knowing where true North is located at).  The skylight window is oversized.  In the center of the skylight is the seven-pointed Star, like the one seen in the Vestry.  Below is a close up of what Assembly would look like if it had taken place in the Disney movie Earth*Star Voyager.

Assembly

Assembly

            To me the seven points of each star represents the seven synonymous terms for God:  Mind, Spirit, Soul, Principle, Life, Truth, and Love.  At this time I would like to insert a portion of a letter written by David Nolan in 2003 about Mother’s Room.

nolan-letterInside M.'s R.united-paramount-network

            “The Mother’s Room, as described in Joseph Armstrong’s {book, Building of} The Mother Church, also {in the} January and March Journals, 1895, contain three pictorial windows—all taken from {more like modeled after} Christ and Christmas:  the STAR OF BETHLEHEM, the first picture in Christ and Christmas; SEEKING AND FINDING, the third picture in Christ and Christmas; and the old gentleman listening to the little girl’s reading of SCIENCE AND HEALTH, the seventh picture {“SUFFER [PERMIT] THE CHILDREN TO COME UNTO ME [CHRIST MARY]”} in Christ and Christmas.” (p. 474)

Bay Window

First Edition

First Edition

Seek and Find FESuffer Children FE
            First off, I would like to say that the three windows are not exactly the same as the three Illustrations, in fact, I have renamed the middle window, based upon SEEKING AND FINDING, as “‘T’IS THE SAME HAND THAT WRITES THE PAGE” because I feel that the window represents a different time in Mary Baker Eddy’s life.  Also, the first window THE STAR OF BETHLEHEM, I also refer to as “THE STAR OF BOSTON”.  Mary Baker Eddy called the Star of Bethlehem the Star of Boston.  But one other reason why I refer to this window as the STAR OF BOSTON is because it contains a Star-Flower (not just a Star).  The Star-Flower resembles an actual flower known as the Star of Bethlehem.  Only the flower has six petals while the Star-Flowers have seven petals; as seen in all three windows of Mother’s Room.
            The window on the right side is titled, SUFFER THE CHILDREN TO COME UNTO ME.  It “was the limit of Motherhood, for Motherhood taken into eight results disastrously to both Mother and Child; and produces an irresponsible child, demanding matter ‘creation,’ instead of ‘intelligence.’  Hence, the eighth picture in Christ and Christmas presents the fading of symbols, as there are no symbols beyond seven, when the BIBLE—the book of symbols by which we have been spiritually taught—is closed.  And when the BIBLE, or Principle governing all symbols is closed, it would be most dangerous to deal with symbols without Principle.” (p. 474-475)
            I am not sure I agree with her on this topic of symbols, I do agree with the last sentence above!  I guess she basses her opinion upon the following.
            “The lighting of the main auditorium was suggested by the verse in Christ and Christmas accompanying the seventh picture, Jan. 1895 Journal, p. 409—thus confirming the above statement about the limits of Motherhood, as the lighting of each and all of these ‘tabernacles’ determine its limits.” (p. 475)
            The words in Christ and Christmas, for “SUFFER THE CHILDREN…,” are:

“Thus olden faith’s pale star now blends {I take the “pale star” to be the BIBLE.}
            “In seven-hued white!”  {I take this to be SCIENCE AND HEALTH}
“Life, without birth and without end {death},
            “Emitting light!”

            “The Mother’s Room is above the auditorium, but below the level of the Directors’ rose window {WINDOW OF THE OPEN BOOK}, typing the city foursquare—really more on the level of the six waterpots, which are the lower part of the Directors’ window, on the floor beneath.

The Holy City

The Holy City

Earthen Vessels

            “The fact that the first side of the city in the Directors’ Window—the ‘Word’—is illustrated by the BIBLE in the center {of two Keystone windows} with the God-crowned Woman {the Woman God-crowned Keystone} (with twelve stars) on one side, and a cluster of seven stars {Star-Flowers} on the other side {below the Open Bible Keystone, as the Big Dipper Keystone} (the seven stars starting the symbol, with the God-crowned Woman with twelve stars on the advancing side), shows that while Woman’s Crown is twelve stars, seven is the limit of BIBLE consciousness…” (p. 475)
            Now, she, as do other Scientists, considers all three windows to be part of the Word tone.  But as I have explained it in other posts, I see it in a different way.  I see that the Open Bible Keystone is the Word as the Word, the Woman God-crowned Keystone is the Christ as the Word, and the Big Dipper Keystone is Christianity as Science.  Unless, this Big Dipper Keystone (the name I originally gave it in the 1990’s) is actually supposed to be the seven sisters of Pleiades.  What is interesting about the story of these seven sisters is that Zeus turned them all into doves (of divine Science) so that they could escape the hunter Orion.  The Pleiades is also located in the shoulder area of Taurus, the bull, which is the second living creature for the tone of Christ (which I have located on the other side of the Wheel).  However, symbolically speaking, the Pleiades would fit in the tone of Christianity as Science quite well – as you have the unity of Christ and Science here as depicted in the Illustration of CHRISTIAN UNITY.

Christian Unity
            “…The next side ‘Christ,’ presents the Madonna and Jesus {I have only heard this Keystone’s title as the Madonna and Child} as its central figure, with Jesus {the Lord} with a lamb in his arms on one side, and a Grecian burning lamp on the other—human love of ‘creation’ (Eph. 3:9—All things are created by Christ Jesus), and ‘intelligence’ {the full quote reads:  “And to make all men see what is the fellowship of the mystery, which from the beginning of the world hath been hid in God, who created all things by Jesus Christ:”, so it is God who created all things in the form or plan of Jesus Christ.}—the first two steps in ‘the ideal man,’ S&H 517:8-9.” (p. 475)
            The Lord and Lamb Keystone represents Christianity as the Word, the Madonna and Child Keystone represents the Word as the Christ, and the Oil Lamp Keystone represents the Christ as the Christ.
            “…The cross is next presented with palm branches on one side and bursted seedy fruit (pomegranates) on the other side—the victory over human creation or the seed of generation.” (p. 475)
            The Cross of Calvary Keystone represents the Word as Christianity, the Palmleaves of Salvation Keystone represents Christianity as the Christ, and the Pomegranates Keystone represents the Christ as Christianity.
            “…The Golden Shore of Love {and Peaceful Sea of Harmony Keystone}, with a bundle of wheat on one side (Bread—Truth) and clusters of grapes on the other side (Wine, Love)—the Bread and the Wine which the Priest of Melchizedek offered Abraham, the First Church in human consciousness—was the last (fourth) side of the city {Christian Science}.” (p. 475)
            The Golden Shore of Love…Keystone represents the Word as Science, while the Harvested Sheaf of Wheat Keystone represents Christianity as Christianity, and the Concord Grapevine Keystone represents the Christ as Science.  From this you can see that there are four more tones (the Science tone) which must be found within this Holy City Matrix, making for a total of sixteen tones, the last four tones being that of Science as the Word, Science as the Christ, Science as Christianity, and Science as Science.  Thus, the twelve stars cycling around WINDOW OF THE OPEN BOOK represents only three foursquare tones – the four tones of the Word, the four tones of the Christ, and the four tones of Christianity.  It is inside the Wheel, or the hub center of the circle where we find the four sides (tones) of Science – as the Little Book Open itself – SCIENCE AND HEALTH WITH KEY TO THE SCRIPTURES.  The fact that there are four major stars denotes the squared-cycle of the Word’s four tones (Word as Word, Word as Christ, Word as Christianity, and Word as Science).  The Word squared-cycle is the base for the capstone of Science (Mother’s Room) with its squared-cycle.  With the fact that Mother’s Room is oval in shape (in regards to the church’s structure) we must equate Mother’s Room to the oval skylight found in the auditorium with the complete number of sixteen (not limited to twelve – Church).
            I have long ago abandoned the fact that the city foursquare means that it has only four walls or sides to it, but have accepted the fact that foursquare literally means that the Wheel or Unity Matrix actually has four squares found within its structure!

Window of the Open Book City

Mary Baker Eddy, via WINDOW OF THE OPEN BOOK gave to us the Unity Matrix of the right type of Assembly (Association) long before the Extension was even built.

The Woman God-crown Keystone

            “…The fact that Woman has twelve stars on her head, in basic Word, the first side of the city and her man child cannot go beyond seven, shows that the city foursquare must be the embracing complement of the seven stars {the top row of stars upon the woman’s crown}.  They are arranged on her head as seven in upper flare of her crown and five below—the first seven ascension, and the second five descension.  {This is actually hard to make out on the Keystone window, however, since it is the woman God-crowned, I will accept that it is depicted the exact same way in the Keystone window (on the South wall of the Edifice) as it is in the actual window named WOMAN GOD-CROWNED (on the West wall of the Edifice).}  The thoughts given in these Notes are gained from the Journals—January to May, 1895, containing the windows and their descriptions—except some deductions from the Directors’ Window in harmony with already proved premises.  {This being said, I am not disagreeing with Alice Orgain’s description of WINDOW OF THE OPEN BOOK, but I am just saying that one hundred years later, the same WINDOW must be acknowledged in a new way, it must be seen for its true matrix structure in coincidence with the divine infinite calculus.  Notice on the Window below that each star on the crown has seven points.}

Woman God-crown Win

            “The Extension was the full crown of twelve stars, which expressed the Twelve Tribes—as hinted in the address of the incoming president at the dedication, and the marriage of the Bride and the Lamb in our service at our Annual Church Meeting. My 39.  Mother could never find ‘her home and heavenly rest,’ Hymn 197, except in the activity of the higher idea for which she basically stood, and which she revealed.  The Woman crowned with the twelve stars was the great wonder that appeared in heaven, Rev. 12:1.  And the Woman bringing forth the man child seemed on a level with the wilderness—the habitat of Jesus, Elijah, John the Baptist, or manhood to high for earth’s concepts.  And her man child ‘was caught up unto God and to His throne,’ Rev. 12:5, where he found his bride, Rev. 19:7-9, in the other five stars; and the twelve descend as the city foursquare.  Our Hymn 197—‘Mother’s Evening Prayer’—was written in 1893, simultaneously with Mrs. Eddy’s given us Christ and Christmas,[1] but not given us in Church harmony until 1909, after the closing of Mother’s Room.  Heavenly rest could only come to Woman in the complete activity of idea for which she has left us the plan and pattern in the Manual.” (p. 475-477)

Woman of Samaria Window

Window in the Original Edifice of Boston

Window in the Original Edifice of Boston

                                                            VESTIBULE
                                    {the South side}
            “Reading the messages of the windows of The (little) Mother Church from left {South} to right {North} (as Joseph Armstrong’s The Mother Church suggests), we would start in the vestibule with the double window of Jesus talking to the Samaritan woman at the well of Sychar {the title is:  JESUS AND THE WOMAN OF SAMARIA}—who was the first person on earth to acknowledge the Christ—about a year and a half before Peter did; and the female figure {Gabriel?}, Jan. Journal, 1895, p. 412, representing the man-Angel {Michael?} bringing the Little Book {Open}; showing that they are at the same point of illumination—the first accepted (and not resisted) impartation to earth from heaven after the seventh seal was opened {by the seventh Star-Angel}.  The {Samaritan} woman had six husbands (“Thou hast had five husbands, and he whom thou now hast is not thy husband,” John 4:18), all of whom she disclaimed (“I have no husband,” John 4:17), and was ready to see the seventh—the Christ.  (This is also hinted when the Sadducees asked Jesus concerning the position of the woman in the resurrection that had had seven husbands (Matt. 22:23-33; whereupon, he declared her “resurrection” in substance, based upon her seven husbands).” (p. 477)
            What these BIBLE verses are about is a law, which said if a husband dies, his wife is to be taken in by the husband’s brother.  So Jesus told the Sadducees that she could be the wife from the second unto the seventh (symbolic meaning – the woman’s manhood rightfully advanced from Mind [her first husband] unto Spirit, and even unto Love).  So their goal was to try and trick Jesus, by asking him about which of the brothers would the woman be the wife of in heaven.  But Jesus told them that they think erroneously as there is no marriage in heaven.
            Notice in the window of JESUS AND THE WOMAN OF SAMARIA that there is a second woman in the background approaching the well.  I believe that Mary Baker Eddy represents the SaMARYan woman speaking to Jesus by the well and that the woman in the background represents Dinah, the seventh Star-Angel, who is seen in the window below as the girl reading SCIENCE AND HEALTH KEY TO THE SCRIPTURES.

Suffer [Permit] the Children to Come Unto Me

Suffer [Permit] the Children to Come Unto Me

           

“…Dinah was the seventh child of Leah, and the eleventh child of Jacob, and Jesus typing Joseph (the eleventh son) was forced to redeem Dinah in the spot where she was defiled by the impure sense of water—Life, Fatherhood, S&H 569:1-2.  Thus this was the human complement of his mission.  The people of Samaria were called ‘Dinaites.’  This Samaritan woman saw the seven of pure manhood—the true sense of Jesus, the masculine representative of ‘the spiritual idea’ (the Christ) S&H 565.  This was on Jesus’ return from the marriage of Cana of Galilee, where he had turned the water into wine; as he did in this instance, ‘The woman then left her waterpot, and went her way into the ‘city’ proclaiming the Christ.’  So the man-Angel brings the Little Book {open} at this point of exalted thought; hence, Mrs. Eddy’s first edition is thought to be the highest revelation—as perhaps it is—it is Mrs. Eddy’s own individual vision of the Christ, which like Jesus’ vision at this point could have gathered nothing and could have saved only itself, as did Enoch, Elijah, etc.  Woman, however, must descend with her message to the apprehension of others—man being forced to ascend, to put the underlying arm under mankind; ‘underneath are the everlasting arms,’ Moses sang of Asher, Deut. 33:27, (“Moses’ Song”).  The redeemed must take up the refrain, as they must sing ‘the song of Moses the servant of God and the song of the Lamb,’ Rev. 15:3.” (p. 477-478)

                                                “AUDITORIUM LEVEL
                                                      {The South Side}
            “Then came the four {Mary} women windows suggested by Mrs. Eddy (Joseph Armstrong’s The Mother Church in the chapter on its windows, p. 70)—the Madonna  and Child {the first Mary window is MARY THE MOTHER OF JESUS};

The first Mary window.

The first Mary window.

“Woman anointing Jesus’ head {the second Mary window is MARY ANOINTING THE HEAD OF JESUS};

The second Mary window.

The second Mary window.

“six stone waterpots (each a window) with ‘two or three firkins a piece’ of water, which Jesus was forced to fill to the brim literally, as he had done figuratively at Cana of Galilee;

Earthen VesselsBible Window

Mary First at Res“then his ‘resurrection’ acknowledged by Mary Magdalene {the third Mary window is in The West Side, MARY FIRST AT THE RESURRECTION}, with the BIBLE above—this at the immediate left of the reader’s platform.  The BIBLE above this last picture shows that it was the limit of then-demonstrated-to-human-sense BIBLE consciousness.  A feature of this window is the fact that it is the only presentation of Jesus with an upraised right hand; in each and every other instance the left hand is raised—his raising of Jairus’daughter in the rose window {on the North Side} of The Mother Church (which was in all of Mrs. Eddy’s early editions of SCIENCE AND HEALTH and from which this picture was partially copied, as Joseph Armstrong says in his book; and in the second illustration in Christ and Christmas, picturing Jesus raising the girl from the coffin—prophesied by the identity of age, ‘sex,’ etc., by Jairus’ daughter’s healing.” (p. 478-479)

Jarius Daughter

From an early edition of Science and Health

From an early edition of Science and Health

First Edition

First Edition

            Notice that the clothes upon the woman in the coffin are modern day clothes (belonging to the nineteenth century).  They are not like the clothes seen on Jesus, the man, or Jairus’ daughter in the woodcarving and Rose Window.
            In Christ and Christmas, “Woman’s right hand is always raised and used up to the Woman knocking at the door in the tenth picture {TRUTH versus ERROR} with her left hand.  {I think she failed to look at the arm in CHRIST HEALING, as the woman’s left hand is raised.  I feel that the union of the woman’s hand and Jesus’ hand in the second Illustration represents a joining or a joint (two natures), as it is more of an ‘n’ shape, while the hands of Jesus and Mary Baker Eddy in the ninth Illustration represents unity because their hands form the shape of a ‘u’ (oneness).}

First Edition

First Edition

She continues:  “This has as much significance as the sheep on the right and the goats on the left, Matt. 25:33—sin for which the goat stood is healed only by Love.  ‘No mass for me,’ is the left hand message.  {It is also a fact that right is symbolic of man and left is symbolic of woman.}

S&H Window

Woman God-crown Win

            “The next window on the right of the platform {in the West} is the WOMAN GOD-CROWNED {the fourth Mary window[2]} with SCIENCE AND HEALTH {depicting the name of Reverend (Revered Leader) Mary Baker Eddy} above it, showing the fulfillment of this prophecy; {Is not it of importance that the BIBLE window above MARY FIRST AT THE RESURRECTION OF JESUS points to St. John, the author of Revelation which gives us BIBLE prophecy of the Woman God-crowned, and that above this Woman depicted in the window (on the cardinal point of Science) is the name of the author of SCIENCE AND HEALTH WITH KEY TO THE SCRIPTURES, the book found directly above the WOMAN GOD-CROWNED Window?  Who can deny that Mary Baker Eddy is this fourth Mary?}

Two Candlesticks

                                                {The North Side}
“…thence the six windows under the raising of Jairus’ daughter (the latter on balcony level) corresponding to the six waterpots under the Director’s window of the city foursquare (the latter also on upper balcony level) of two standing lamps or torches in the outer two, and two large palm branches {of salvation}, one in each of the two center windows in a group of six {called LIGHT AND VICTORY, and the second and fifth windows giving us (originally in 1994 – S&H 296:7, but now -) S&H 350:11 (by the lamp with a black flame) and Psalms CXIX, 105 (by the lamp with a white flame).  Notice how in the Tarot card below that the two pillars are dark on the left side and light on the right side – it is the same symbolic idea being put forth.  The HIGH PRIESTESS is also a symbol for the Woman God-crowned.};

THE HIGH PRIESTESS

“…thence to raising of Lazarus from the dead {THE RESURRECTION OF LAZARUS},—remembering  this came after healing the man born blind from (because of his human claim of origin in {his corporeal} mother’s womb); {Notice that there is one woman at the equal height of Jesus, if not slightly higher.  Does this woman represent Mary Baker Eddy?  The two women by Jesus I believe to be Mary (with her hands in prayer) and Martha (holding a water pitcher) of Bethany.  The man’s whose foot is on the lowest step (the First Degree) does not understand what is happening.}

Riseing of Lazzarus

“…thence to the vestibule window on the left from Isa. 11:6—‘A little child shall lead them.’ {“A LITTLE CHILD SHALL LEAD THEM.”}  Here is a sturdy young child showing strength {a man child} in every portion of his body and face (so different in character from the usual conception of this subject); another important point being the detached branch of the grape-vine (and not as usually pictured holding a palm branch {salvation, which I do not see unless it is what is up against his right hip and upper leg}) which he holds in his right hand and rests upon his right shoulder—‘the government shall be upon his shoulder,’ as Branch—a Branch the instrument of his government!  {It is also important that he has his right arm around the lion (moral courage, Leo, the Word and also Judah).}

A Little Child Shall Lead Them

“…Thus Mrs. Eddy left us just outside of Mother (in the outgoing—from left to right—vestibule) a distinct type of our next progressive step as the Branch growing out of the roots (not stem) of Motherhood, which Isaiah first defines and then illustrates in this eleventh chapter.  In rounding ‘the gospel of grace in the circle of love,’ Mes 1902, 2:26-29 and My 270:4-13, in Motherhood, with Mother’s Room just five steps above the lower level of the auditorium, and between it and the upper level of the city foursquare (the Directors’ window—gift of four directors, and not five, no redemption yet of the five senses, or directors; ‘when what we erroneously term the five physical senses are misdirected,’ etc.—S&H 274—given us simultaneously with the last statement of the ‘ideal man’ and ‘the ideal woman’ in 1907).  In this Mother’s Room, her revelation, SCIENCE AND HEALTH, is the center-piece {but she does not explain what she means by this, at least not to my satisfaction}; whereas on the lower level, the Mother’s Room is the center-piece (as Mrs. Eddy states in her dedicatory message to The Mother Church, Pul 8:26-28:  “—even its center-piece—the Mother’s Room in The First Church of Christ, Scientist, in Boston”).  The Auditorium level starts with the Madonna {MARY, THE MOTHER OF JESUS} typing Motherhood and ends our circle with raising Lazarus from the dead—the womb and the tomb being the beginning and ending of Motherhood—Motherhood being but ‘a half a time,’ Rev. 12:14, as Mrs. Eddy so clearly saw and Rachel proved, for she (Rachel) could not ‘Mother’ Benjamin—passing on at his birth.  A Church as Mother bears the same limitations as a person as a Mother—and a branch governed by a Mother Church, the same limitations as a child governed by its Mother—the thought process is the same.  Mother’s Room was at a point between the two levels, five steps above auditorium level.

IMMANU~2

“When this room was open, the one in charge was forced ‘to go to Mrs. Eddy’s home and remain so long as the latter shall desire it….Breaking this By-Law shall excommunicate a member from this Church,’ Man 74th ed., Art. XXII, Sect. 14, p. 69.  {Today this Section does not say excommunication is the result of breaking this By-Law, it just says that the person who leaves will have to pay money for Mary Baker Eddy’s teaching during the time they worked in her home.  I am guessing that this is what the By-Law was changed to after Mother’s Room was closed.}  This shows how strictly Motherhood was guarded before it was translated.  It is easy to see how Mrs. Eddy could not participate in the building of this memorial by her students, June 1894 Journal, p. 94; May 1895 Journal, ‘Mother’s Visit,’ and why she was forced to guard Motherhood with such vigilance and excommunicate everyone who violated its major points, as ‘Motherhood’ has not within itself the defense of the Branch which grows from the roots of divinity.  It has a dual position—the ROD which comes forth out of the stem of Jesse (man child, in seven {Dinah}); and the Branch that grows out of its ‘roots,’ Isa. 11:1, as her vision, in twelve.
            “The (little) Mother Church, stood for seven on the lower (auditorium) level of the Mother’s Room (Mother’s “place prepared of God” being in the wilderness in both instances—Rev. 12:6, 14—which was figuratively fulfilled by Concord and Brookline—her Church affiliation in Motherhood could go demonstrably no higher); the twelve, thirteen and fourteen on the upper level (balcony).  Mrs. Eddy requested that the word ‘Mother’ be placed on the marble floor at the entrance of Mother’s Room {for the Ark Covenant – for Mother Mary}, and on the arch above the gold-knobbed door and word ‘Love’ {for the Arch Covenant – for Dinah/Martha} (The Building of the Mother Church, by Joseph Armstrong, p. 77) as was done; so that ‘Mother’ of ‘seven’—‘man child’—rested on the lower level (wilderness) and Love on the upper floor level, as it was above the entrance door upon which ‘LOVE’ appeared, placed it on the upper level, as basic idea.” (p. 478-482)
            Something else that most people have never discovered, that may represent the Arch Covenant, the letters ARK (even though the letters are backwards from inside the Mother’s Room) are used (perhaps it represents the union of the Ark and Arch Covenants?) inside the Arch Keystone, is the Christian Science Seal seen in MOTHER’S ROOM, above the window “‘T’IS THE SAME HAND THAT WRITES THE PAGE” (my title).  Notice that the color of the dress on Mary Baker Eddy is green.  I use green to symbolize Principle, Science, and Life.  Other differences in this window from the Illustration is that she is looking upward, she has a writing tool in her hand, her left hand is not planted upon her forehead, and the serpent of animal magnetism is not depicted.

Bay Window B

            “Woman appeared in heaven crowned with twelve stars, Rev. 12:1, and became Mother only in the wilderness—during the creative period of ‘the ideal man,’ S&H 517:8-9, there being but one human quality at that time therein.  The one hundred and forty-four lights (the square of twelve) were drawn into a SEVEN pointed sun-burst star which lighted the auditorium by day with sunshine and light from above, and by night by the one hundred and forty-four electric lights {which has since been changed}; thus, seven was fed by twelve, which necessitated a later Extension.  There was a miniature sun-burst of a seven pointed star lighting the vestibule between the Church auditorium and the Mother’s Room, symbolizing that the light of SEVEN only was revealed demonstrably between Mother and its Child, as Motherhood ‘creation’ cannot go beyond ‘creation,’ else it would not be ‘Mother,’ but ‘Love,’ which is not susceptible of human distinction.  The symbols must be appropriated demonstrably by the human consciousness before they disappear, as ‘Spiritual teaching [to human consciousness] must always be by symbols,’ S&H 575.” (p. 482)  Again she confuses me.  I can see how Motherhood is creation, but how can Mother (God) not be Love?

Sunburst Skylight Window
            What she does not tell her reader is that the auditorium’s skylight – Sunburst Window – is an oval (like the Eastern Side’s Mother’s Room is an oval and the fifth Illustration of Christ and Christmas CHRISTMAS MORN is oval shaped) and consists of a sixteen-numbered matrix.  I refer to this matrix as the Science Extreme Matrix and the Sunburst Matrix.  It also consists of the infinite divine calculus.

Sunburst Skylight B

                                                “BALCONY LEVEL

Saint John on Patmos

Saint John on the Isle of Patmos

            “Also the upper level from left {South – Christianity} to right {North – the Word}, starts with ‘Love,’ above Mother’s door {East – the Christ}, as basic Principle, thence through the double window of John’s vision of ‘Revelation’ on the Isle of Patmos {JOHN ON THE ISLE OF PATMOS}, one reaches the Director’s WINDOW OF THE OPEN BOOK, April Journal, 1895 {the Stargate Matrix}, embracing all the steps in the city foursquare {which consists of four squared cycles}.  Thence, mentally stepping across the desk, on the BIBLE and SCIENCE AND HEALTH, which are on the balcony level {on the West Side – Science} (the first being in a separate window above Jesus’ resurrection window; and the latter in the window ABOVE the God-crowned Woman) one comes to {on the North – for the Word} Jesus raising the daughter of the ruler of the Synagogue (Father’s daughter in his first coming, but Mother’s daughter in his second coming in the clouds of heaven) in sun-burst in the clouds, with twelve descending rays behind Jesus; which, of course, glorify him, as he demonstrated but seven before his ascension, as evidenced by the SEVEN stars in his right hand in Rev. 1:20.  {How come she does not mention that in JOHN ON THE ISLE OF PATMOS there are a total of five rays of light?  Below is what I feel the seven candlesticks and seven stars represent in Revelation.}

Revelation Star-Churches D

Jarius' Daughter

Jarius’ Daughter

“…Note that these rays are clearly divided by a center overhead projection into five and seven, see March Journal, 1895—each of the five rays broader than each of the seven.  This window is encircled in light blue (noonday) clouds, showing that it is the second coming of Jesus in ‘the clouds of heaven,’ Matt. 24:30, clouds viewed from the ‘descending’ point; rather than ‘ascension,’ when they are ‘obscure, abstract and dark,’ S&H 558.  On the lower level below this window are the two standing lamps, tablets from the BIBLE and SCIENCE AND HEALTH, and the two palm leaves {of salvation and victory} in the center.  This window {JARIUS’ DAUGHTER}, both on the lower and on the upper level, was the gift of a husband {white light} and wife {black light}.  What could be more symbolic?
            “Jesus healed Jairus’ daughter (the Father of whom ruled the Synagogue) alone, being forced first to put out the multitude, then the father and mother and his disciples (this healing came after he had healed the issue of blood of the woman who touched the hem of his garment—“sex” characterization, or material claimed source of generation—motherhood.  The sequence of this is the same in all three gospels that record it, which is unusual, and assures its true order.)  This window was copied from the picture in all of Mrs. Eddy’s early revisions of SCIENCE AND HEALTH, except the first {edition}.  Its difference being that in the window its setting was a sun-burst of twelve rays in the clouds, whereas it was previously (in her books) in a room with patterned oriental draperies behind, and a slight diffusion of light on the draperies {see above}, rather than distinct rays from the sun, surrounded by light blue clouds!  Mrs. Eddy took this picture out of her SCIENCE AND HEALTH in the 21st edition, putting her own picture (as a usual photograph) in its stead, and took the latter out in the 44th edition, not to appear again until in SCIENCE AND HEALTH in the 4th edition in 1907, in which for the first time God is given seven synonyms instead of eight, and ‘Being’ is reserved to be put into man in the next edition, 5th in 1907, in the reference S&H 442:25-29.

S&H Trademark

“…Also, previously on p. 515 of SCIENCE AND HEALTH, lines 16-17, Mrs. Eddy had said:  ‘The eternal Elohim includes the forever universe.’  Thus creation or Motherhood by necessity ceased, and the ‘Christian’ features of Christian Science began to rapidly disappear, and its ‘Science’ come to the fore—the next change after S&H 442:25-29 being elimination of ‘strive’ and ‘meekness’ from the sixth tenet, and also ‘love one another’; thence 442:30-32; and then S&H 200:25-29—glorifying Jesus, which is illustrated in this next to the last window on the upper level.  The last on the lower auditorium level being the raising of Lazarus (manhood) from the dead, the upper level, Womanhood.  The difference is great between raising Womanhood from sun-burst clouds—manhood being clothed in white, with twelve rays from the sun (not from a star[3]) behind; and manhood clothed in white with a black robe over his shoulders, raising Woman from a coffin with the light only of a seven-pointed star {divine Science}, and with the resistance of the Pharisee (Church in form) behind, as shown in {CHRIST HEALING} the second picture of Christ and Christmas.  This strikingly shows the difference between seven and twelve.  Jesus raised Jairus’ daughter from the dead and left Jairus still a ruler in the Synagogue, and it is perhaps his resistance to the true Christ healing that obscured the real prophecy which lay in what Jesus did, until its germination in the next to highest window in The Mother Church, which is the window under discussion.  The next to last statement in SCIENCE AND HEALTH in 1908, S&H 200:25-29, appeared simultaneously with the dissolution of The Mother Church in 1908, awaiting our readiness to see it, and holding us to our allegiance thereto until we did (as in My 360, where Mrs. Eddy holds us to our allegiance to The Mother Church after 1908, for its form remained until she passed from us in person without making provision for its perpetuity), otherwise we would lose the idea.” (p. 482-485)
            My problem with this is that Mary Baker Eddy did not die, for death is an illusion.  I get the idea that Alice Orgain thinks that her death was necessary or inevitable.  But death is not necessary or inevitable it is illusion only.  Perhaps she should have listened to Augusta Stetson upon this topic?

Second version of Truth versus Error

Second version of Truth versus Error

The first "The Way" with its crowned cross.

The first “The Way” with its crowned cross.

            “The Nineteenth Century being the time of the unfoldment of Motherhood, S&H 559:32-560:2, preparations were being made at its close to the end of giving the Branch its active, independent place.  Thus in 1898, immediately after the gift of the Hall for the Branch Church in Concord, the detached branches were put on the door in the tenth illustration {TRUTH versus ERROR} of Christ and Christmas, and the squares under the feet of Woman; also, the eleventh picture {THE WAY} was completely changed—it previously having the whole setting of Motherhood, its very shape suggesting the womb of Motherhood, whose ‘man child’ was ‘caught up unto God and to His throne,’ etc.  Whereupon the two crosses instead of one—the latter the dark cross—were added in 1898; and the vicarious Motherhood of doing everything for us ceased; after which, the whole ‘Word’ began to take on more affirmative and assuring proportions (instanced by My 210:1-17, and the coming of the Bride and fall of the Babylonish woman, My 125-126—both in 1899), as the struggle of Motherhood did not have to be repeated, and yet the human sensibilities must be denied, else the dark cross must be borne.  Motherhood up to this time had covered the sodded, dark cross, which we now have in the eleventh picture with flowers, giving us this as our only cross; but now lifts her flowers to grow in light and not in soil (Mother-earth), as soil is mother to the flowers, the same as womb is mother to humanity.

THE WAY

THE WAY

“…The flowers in our now eleventh picture grow in light descending from God out of heaven on light; and have no human generation nor germination—‘every plant of the field before it was in the earth,’ Gen. 2:5; flowers thus grown cover the cross of resurrection, in line with the open grave to the right. When human birth ceases, human death will be conquered, and never before.  The flowers growing in light and not in soil necessitated the Extension, as subsequently described, and everything tended to that point.
            “Thus The (little) Mother Church on the auditorium level begins with Motherhood, and rounds a circle {more like, rounds a triangle} which ends with the raising of Lazarus from the dead; and, on the upper level, rounds a circle beginning with St. John’s revelation and ending with the raising of the seven to the value of twelve demonstrably.  Then to thirteen and fourteen, in the sense that the next windows to the raising of Jairus’ daughter in twelve, as above described, and the last in the circle in the upper auditorium {the Northern Gallery}, were twin windows.  {I do not have a color picture of the circle window because Boston does not seem to want to publish it.  It would be different anyway, because in 1994 they changed it (so I have heard) to have the Church Manual inside the circle – changing the window’s symbolic meaning.  Whether they made the change on purpose or out of ignorance is unknown.}

Gallery Windowspyramid-books

{Another thing that Alice Orgain seems to miss out on, is that the open circle is found other places in the Edifice.  For example, the Immanuel Arch’s Keystone has an open circle, that matches to the open circle on the fireplace mantel in Mother’s Room.  To me, the open circle hints that Mary Baker Eddy is Jesus’ successor (as his mantle lays across his lap in the only circular Illustration  in Christ and Christmas – CHRISTIAN UNITY), in that she is handed down his mantle (spelled differently but sounds the same).

IMMANU~2CUMantel B

“…The first showed the BIBLE and SCIENCE AND HEALTH CLOSED,[4] the latter resting on the BIBLE (the BIBLE foundation—S&H 269:22-25—“proceeds from,” S&H 583:13; and SCIENCE AND HEALTH “rests upon,” S&H 583:13), surrounded by thirteen scintillating rays of light—a step beyond the healing in twelve; and in the second of the twin windows was a clear circle the same size as the other, with nothing within it.  This last {window} is the message of fourteen, or spiritual Motherhood for which Jacob worked fourteen years, and for which Mrs. Eddy worked twelve years to establish it in the consciousness of the approximately twelve hundred, Pul 25:8-9, that sat in The (little) Mother Church auditorium, on a level with seven, being fed by fourteen.  The clear circle showed that the Spirit had dissipated the symbols of even the upper level (which is suggested by the scrolls that succeed both books in Christ and Christmas[5]), {Yet, I am confused as to how this is a symbol of fourteen, especially with what follows in her explanation.} the additional five were ready to feed the five thousand in the wilderness, with the five loaves and two fishes multiplied from above—the five disciples under the direction of Jesus (prefiguring the five Directors) gave the food to the people.  ‘Give ye them to eat,’ Luke 9:13.  In the 6th chapter of John, two of the disciples are accounted for, Philip and Andrew are mentioned, and undoubtedly Peter, James and John were with him—thus these five constantly attended him {as five wise virgins?} particularly the last three.  So the spirit of the Extension, in line with the formation of the last Association {Assembly} which stood by the building of the Extension—General Teachers’ Association—in which the seven Teachers out of twelve Executive Members were not needed for a quorum to act—was, ‘Give ye them to eat’ (in the wilderness, for this was always the setting for supply from above; notably the manna and Jesus’ feeding of the multitudes twice.  Only two other than wilderness-born children reached the Promised Land—Joshua, an Israelite, and Caleb, a foreigner, showing its possibility, and that too that it is not dependent upon form-preparation).  Mrs. Eddy had been forty years in the wilderness when the Extension was dedicated—1866 to 1906, and, so long as she was with us, in the wilderness thereafter (as Mother is founding was never out of the wilderness—Rev. 12:6, 14), she blessed the five loaves and the two fishes with which the multitude in the wilderness were fed—through her disciples (agents), the Directors;[6] and the full twelve baskets were taken up for the branches, in the sense of Church being thereby completed in Motherhood.  Both the little Mother and the big Extension were built in circles {I take this to mean that you are supposed to follow the symbols around the edifices in a circular direction}, the two clasping hands behind the desks of each, the Extension being three steps in descent from The (little) Mother Church, or the son sitting down in the circle while Mother stood in the circle, the Church founding of the ninth picture in Christ and Christmas.  The square of the circle must come in Branch, as both Mother, ‘creation,’ and Son, ‘intelligence’—‘Jesus, the highest human corporeal concept, etc.,’ S&H 589, and intelligence being the highest human concept in ‘the ideal man,’ S&H 517:8-9—were in the circle.  But the third tabernacle in ‘the ideal man,’ S&H 517:8-10, ‘Truth’ (the Branch), must be the square of this circle, and is so pictured by the square in the tenth picture of Christ and Christmas, that Mrs. Eddy calls ‘Truth,’ which stands alone on the square, knocking on the detached Branch.  {She has totally ignored the symbol of the triangle or pyramid (Jacob’s ladder) that both the original Edifice and the Extension reside within.}  Mother and man child must be wed, as in the types of the two Churches, joined together at the direct point of their ‘altars,’ and as illustrated in the ninth picture of Christ and Christmas where Mother and son, S&H 565:6-13, clasp hands and unite the message of ‘Christian’ and ‘Science.’  This is indicated by the scroll, and as pictured in the first twin window of the closed books on the upper circle of The (little) Mother Church with its thirteen scintillating rays—as Jesus and Mrs. Eddy were always in thirteen and their message fourteen—universal.  {I would like to add that in the first circular window the BIBLE (twelve) represents the foundation of a pyramid with the tones of the divine infinite calculus – the Word (Genesis to Samuel), the Christ (I Kings to Malachi), and Christianity (Matthew to Revelation), while SCIENCE AND HEALTH (thirteen – the hub of the wheel) the capstone of the pyramid is the tone for SCIENCE itself.}  Mother and son had been in the same circle in The (little) Mother Church—son and Mother in the seven below, with Mother’s room five steps above auditorium {also five rays of light in JOHN ON THE ISLAND OF PATMOS}, and Love in the upper circle with twelve, thirteen and fourteen.  The seven-pointed sun-burst lighting, fed by 144 lights—the square of twelve; the twelve stars in the Directors’ rose window; the healing in twelve of Jairus’ daughter; and thirteen and fourteen in idea of the closed books:  all fed the lower level of Motherhood in seven, as before noted.” (p. 485-489)

I still do not understand how she thinks the open circle represents fourteen.  If she would have said that the circle represents a sphere, which would symbolize the world or the universe, then perhaps I could go along with her.   I am not saying she is incorrect, I am just saying that she did not prove her point to me, I am not convinced by her explanation.

Starburst - 2

            Yet, the Sky Light – Sun Burst happens to be above all Gallery Windows!  We must ask why?  It is because it presents us with the number sixteen, the full and complete matrix structure.  Another thing that Alice Orgain seems to ignore is the fact that the seven pointed stars seen in the Sky Light and in the Vestibule and in the three windows of Mother’s Room and the Big Dipper Keystone AND all the stars seen in Christ and Christmas all point to one thing – the morning star (Venus), which Jesus promised to us in Revelation and Mary Baker Eddy ends her poem with his Bible quote in Christ and Christmas.
            “The Directors’ room is on the lower level in both edifices {a First Degree and Second Degree coincidence?}, below the Mother’s Room, and below THE LITTLE CHILD SHALL LEAD THEM {window}.  The Directors were always on the level in Church with the world, with a real estate trust entirely outside of Church (this trust having been given them on Sept. 1, 1892, and the Church not formed until Sept. 23, 1892).  {I also see the directors as a material symbol for the divine infinite calculus, and when they are disobedient to God (the Church Manual estoppel clauses) they are the opposite of the infinite divine calculus.}  And as members of The Mother Church (and star members—that is, the first four were {I say that they symbolized the four major stars of the divine infinite calculus (when rightly translated back to God) in WINDOW OF THE OPEN BOOK, a.k.a., the Director’s Window.}, as there were but four until the new formation in 1903, first Manual 28th, just before Mrs. Eddy dropped the title of ‘Mother,’ called out the General Teachers’ Association, and gave us ‘Healing Is Better Than Teaching’—all in the next Manual in 1903—the 29th).  Thus the Directors were the medium through which the world sought the Church (their almost exclusively undirected province being to admit and reject applicants for membership and put on probation or excommunicate those breaking the By-Laws)—in other words, the ingress and egress of the Church.  They never had anything to do with Branch government {which they changed after Dec. 3, 1910 via the illegal 89th Church Manual}, and even in the office of admitting and rejecting members, Branch membership had no direct bearing thereupon—as many applicants were accepted without Branch affiliation, and many rejected with Branch affiliation.  So, in this way, they were a channel only between the world and the Church, and, since the Manual has become inoperable with reference to The Mother Church {because of the estoppel clauses}, they {only four of the current directors} still have the same position of standing between the world and the Church as the custodians of the last sacred bequests of Motherhood—not under the Manual, but under the laws of the land; for theirs is a legal trust {for only four}, as Art. XXIV, Sect. 2, p. 75 shows.  No one can rise in our Universal Church, we must all descend to the world (as does our light) and the Directors, as merely agents for the performance of Mrs. Eddy’s expressed charges, could never succeed her.  Mrs. Eddy gave them their names, ‘Directors,’ and redeemed the five senses, S&H 274:3-11, 17-22, in 1907, a year after the dedication of the Extension.  And if this bears any analogy to her symbolic concept of the Directors in Church, Mrs. Eddy redeemed this office at the same time, before she dissipated The (visible) Mother Church, thus leaving them as a redeemed-in-the-world concept for their sacred trust of ‘God’s acres,’ Mis 140.  However, Directors never own their trusts, but are always agents or mediums for an overlying activity to the end of their purpose.  They have their function and trust, but nothing to do with the Branches. …The Directors’ room was directly under the Mother’s Room, and could never be on the level with it.  ‘Spiritual teaching must always be by symbols,’ S&H 575.” (p. 489-491)
            The Director’s Room is on the First Degree and Second Degree levels, while Mother’s Room is on the Second Degree and Third Degree levels (as a human and divine coincidence).  The Board of Directors would like the Field to believe and accept that they have control over the Branch churches!  But they do not.  Is the control they seem to exert over the Branches reflected in how the global leaders of the world (communist Insiders) try to break up the independent government found in the United States of America?  Each State has its own independent government.  BREXIT was about the British people wanting to have their independent government again instead of being controlled by German government.  And this is the same reason why Donald Trump won the 2016 Presidential election.  People may not know what they are actually tired of, and I am telling you that we, the people, are tired of the communist/socialistic (international bankers) dictating over world affairs!  And all Christian Scientists should be tired of a board of directors in Boston dictating over Branch Church affairs!
            “Mrs. Eddy’s plan for the branches was that they should continue with their own forms of government Sec. 6, p. 72; then ‘present form of government in consonance with The Mother Church Manual,’ (Man p. 72:19-24; having no connection with the Board of Directors of The Mother Church in point of ‘control’ or direction which Art. XXIII, Sec. 1, p. 70, FORBIDS.  As noted so often before, the sturdy, abnormally mascular, young child presentation of Isa. 11:6, ‘And a little child shall lead them,’ in the vestibule after leaving the auditorium in the left-to-right process, tenderly embraces the lion {the Word = Bride} (‘the lion of the tribe of Judah’ S&H 514:10).” (p. 491)
            Does this not mean that the little child who shall lead them embraces Mary Baker Eddy (the Bride’s Word that comes from God) is depicted in “SUFFER [PERMIT] THE CHILDREN TO COME UNTO ME”?  It is the Christian Scientist’s inner child that embraces SCIENCE AND HEALTH KEY TO THE SCRIPTURES, “the little book open”.  Yet, Alice Orgain sees this “little child” as the Church Manual.  “…This is in type our Manual, as Mrs. Eddy originally gave it to those Scientists who had not measured up to the Ten Commandments and Christ’s Sermon on the Mount (“whose growth is taking in the Ten Commandments, and scaling the steep ascent of Christ’s sermon on the Mount,” My 229) and lamented this necessity.  The article is entitled ‘Mental Digestion,’ and this is Mrs. Eddy’s demand for the Branch, that it will mentally digest the food the Manual offers and not allow some one to do it for them.  Others can feed us, but no one {can} digest our food but us.  Mrs. Eddy does not call it ‘Mental Food,’ but ‘Mental Digestion.’
            “No doubt that the Directors had their symbolic position in The (little) Mother Church, as four, and the Extension as five, but this passed into idea when The Mother Church thus passed, and we were given that idea before the symbol disappeared, in the sense of Mrs. Eddy’s redemption of the five senses, S&H p. 274:3, 17-18, simultaniously with her giving us the final statement of ‘the ideal man’ and the ideal woman,’ S&H 517:8-10, in 1907, as previously elaborated.  This and the simultaneous and subsequent changes that were made in our text-book turned us to heaven (consciousness of what was written for our Branch denomination).  Heaven is Mind; earth is body!” (p. 491-492)
            Let me explain what I feel the difference between the four directors and five directors are.  In Motherhood (the original Edifice) we have the four directors – or rather the divine infinite calculus of the Word, the Christ, Christianity, and Science.  Once Motherhood ends and the Bride descends from heaven we have the crowned Extension of five, the additional fifth element is the Bride.  And like in the movie The Fifth Element she is placed in the center hub of the four other elements of the divine infinite calculus.  But this Bride is only complete in the fact that she is wedded to the sixth element of manhood – her own manhood or her own manchild Loves her.  We must love Love, as the (hu)man child love Mother’s Science by being united with her as the spiritual Bride (Word of God) that is straight from heaven.  Now going back to the Immanuel Arch in the Vestry, is it not possible that the Vestry’s Manchild (on the Word side) symbolizes the Immanuel Arch?  In 1999, three years after I had my Ghost Museum dream-vision, I saw a holy trinity within the giant Christmas tree in CHRISTMAS EVE (Christ and Christmas).  I could see how this holy trinity compared to three symbols in the original Edifice:  the capstone Immanuel Arch, Mary First at the Resurrection (for the door – which is Christ Jesus), and the Woman God-crowned (for the window – which is Mary Baker Eddy).

Christmas Eve's hidden Holy Trinity

Christmas Eve’s hidden Holy Trinity

            I would like to include the illustration below, of The First Church Edifice, that depicts Jesus Christ (if the man is not supposed to  be Jesus then he must be generic man) and Mary Baker Eddy together in the sky above the West (Science) side of the Church and a manchild ascending upward on the East (Christ) side of the Church.  This is before the Extension was built.  Also notice that there is a Unity Pool in the lower right hand corner.  It appears as if the man is holding something square, a gift representing the Concord Branch perhaps (?), and there are other faces in the sky behind Mary Baker Eddy.

TFCCS

            “Our now regime is, ‘Healing Is Better Than Teaching,’ and this is the spirit of the redemption of the five senses.  The Concord Branch Church pictorially gives us the pattern for our next step in its healing windows, superseding the abstract heavenly teaching of the Extension…the healing in twelve[7] rather than the healing in seven[8]!  When Mrs. Eddy spoke of healing by teaching and teaching by healing, Mis 358:4-6, ‘Healing and Teaching’ were the title of the same chapter, as the article was written in 1889.  When Mrs. Eddy gave us the city foursquare in 1891, they were separated, and Mrs. Eddy declares in the Sentinel of June 30, 1906 {just a couple of months before she places the two woman Sentinels on the cover of the periodical}, p. 700:  ‘Teaching and healing are separate departments.’  Thus the line was drawn between seven (teaching) and five (healing)—the latter, the redemption of sense testimony, —twelve, the sum of the entire process, coming from Thirteen, Principle {Science itself}, and Fourteen, Love {divine Science}, which are inseparable.” (p. 492)
            Is it not entirely possible then, that there are actually two Sentinel woman God-crowned missions?  One that takes place (as Michael) during the Sixth Day of Truth (Theological Teaching) and one which takes place (as Gabriel) during the Seventh Day of Love (Medicinal Mind Healing)?  Is this not why Christ and Christmas has two illustrations (only) where we see two women (Sentinels) in old fashioned togas as those worn by the two women Sentinels upon the cover of the Sentinel?  Is this not why Venus transited across the sun (being clothed with the sun) two times during Mary Baker Eddy’s God-crowned mission and again transited across the sun two times during Martha Jones-Smith’s God-crowned mission?  Is this not why Jesus promised us the morning star (Venus) in Revelation and why Mary Baker Eddy places his quote at the very end of Christ and Christmas?

Sentinel Cover and C&C
            “In the Sept. 3, 1905, Sentinel is a description of the windows and their lessons in the Concord Branch—the impress of which is healing—instantaneous healing!  Mis 355:6-8; S&H 365:15-19, —which can be done in twelve only, — the spiritual consciousness (“sensibly felt,” Un 7:6-12) of the truths we declare, or descending light from heaven—not from books nor other teaching.  This Mrs. Eddy shows, in the last window on the upper level of The (little) Mother Church in the closed books with the thirteen scintillations of light surrounding them and in the twin window, the empty (to human sense) circle filled with the consciousness of the spiritual idea, supported by what we have read and studied, and most of all accepted into our own lives!  This is the voice of the scroll in the Woman’s hand, with the light of divinity behind, knocking at the Branch in Christ and Christmas.  There are no books beyond the eighth picture—Womanhood! — and the rule is given us in all of Mrs. Eddy’s last teachings in the Twentieth Century—particularly, the last two statements in ‘Christian Science Practice,’ S&H 442:25-29, 30-32.  Salvation a gift and not a labor, and we a ‘law unto’ ourselves!  This is the new {Arch} covenant!  Heb. 8:8-10;[9] Man Art XXIII, Sections 1 & 6.
            “Lest we might hear too much on earth ‘to listen for His voice, lest our footsteps stray,’ Hymn 161, Mrs. Eddy gave us the ‘art’ of Christian Science (the art of idea, that no one can see except through idea, and that, when once seen can never be humanly tempered by “opinions”) in Christ and Christmas—the spiritually organized Church, which portrays her every spiritual evolution or revelation; and in the windows and lighting of her Churches, which portray her every human footstep implanted in the divine revealed steps—using the same steps and path, and not trying to make the steps all over!  ‘Human footsteps’ in coincidence with the divine become ‘Footsteps of Truth’ and Mrs. Eddy has so characterized them in the chapter ‘Footsteps of Truth’ in which the human is so conspicuously set forth in SCIENCE AND HEALTH.  ‘Above the fogs of sense and storms of passion, Christian Science and its art will rise triumphant,’ Mis 374.  ‘Eye hath not seen’ it until eye is redeemed to ‘spiritual discernment.’  As ‘sight’ is the highest human sensibility, Mrs. Eddy has left her highest spiritual truths in the ‘art of Christian Science,’ Mis 374, awaiting the redemption of this faculty to the discernment of idea—‘spiritual discernment,’ S&H 586:3—the inner eye—typed by the seven eyes of the Lamb of God, —‘the seven spirits of God {Mind, Spirit, Soul, Principle, Life, Truth, Love},’ Rev. 5:6, of which Mrs. Eddy hints as her medium, Miscellaneous Writings 58:10-16; 347:11-12.  The beasts {the four living creatures of the divine infinite calculus}, Rev. 4:8, claim to have eyes within, and their claims will never be met with the outer eye until it is governed entirely by the inner eye.
            “The comparison of the second picture {CHRIST HEALING} in Christ and Christmas:  Jesus raising the girl {Mary Baker Eddy} from the coffin, in the light of the seven pointed star {the morning star}, and next to last picture of The (little) Mother Church on the upper level—Jesus raising the Synagogue Ruler’s daughter, in the sun burst in the clouds from heaven in the light of the twelve descending rays from the sun, — will show the distinction between the healing in seven, and the healing in twelve; the former the healing of body, the latter the spiritual quickening of Womanhood.  Man with the seven stars in his right hand, Rev. 1:20, and Woman crowned (“crowned” means accomplished) with twelve stars show the difference between Jesus’ first coming {as Christ, the manifestation of God}, and his second coming {as he is explained in SCIENCE AND HEALTH WITH KEY TO THE SCRIPTURES}, Ret 70:20-22—the difference between the mission of man and Woman, wholly apart from sex, but symbolized thereby.
            “This healing in twelve, which is the healing by Woman, generic man, S&H 561:22, without doubt can be seen in comparing the chapters of SCIENCE AND HEALTH with the pictures of Christ and Christmas (not the verses, as Mrs. Eddy had used two verses at a time in two or three instances to illustrate the same picture).  {While Orgain is able to do this with the illustrations alone from Christ and Christmas, I feel that each verse of the poem represents a different chapter from SCIENCE AND HEALTH.  For the poem itself has fifteen verses and if we include the last quote from Revelation about the morning star, then we have a total of sixteen verses to match up with the sixteen main chapters of SCIENCE AND HEALTH.  For sure, if we use Sharon’s Rose Matrix, the chapters and the Illustrations do not correlate with each other as Alice Orgain has presented them.}

First Edition

First Edition

“The chapter in SCIENCE AND HEALTH ‘Prayer,’ corresponding to the first picture (in the 1910 edition as Mrs. Eddy left it), would show a quick identity, and the two forms of prayer—one petitional, as the Holy Family bowing {her opinion, I do not see them bowing at all} beneath the Star, and the Woman’s head crowned with manhood—the Twelve Tribes, S&H 562, on a level with the star, bowing over her problem—one ascending to the Star, the other descending from it.  {In this particular Illustration there are ten clear rays of light beaming from the seven-pointed star.  We see the number ten in the fourth Illustration CHRISTMAS EVE.}

First Edition

First Edition

“The second chapter of SCIENCE AND HEALTH, ‘Atonement and Eucharist,’ corresponds to picture two:  Jesus presenting the Atonement, and the Pharisee or form, the Eucharist.  {I do not agree with her on the point about the Pharisee or the man in dark clothing having to do with the Eucharist because he is objecting to Mary Baker Eddy being healed.}

First Edition

First Edition

“The third chapter of SCIENCE AND HEALTH, ‘Marriage,’ corresponds to the third picture:  the effort is to wed revelation (Woman) to reason, the symbolic relationships of the BIBLE (man) as foundation, —the serpent that claimed to separate them hissing at the process.  {Notice that the time depicted on the Grandmother clock correlates with Revelation 12:1-5 and the position of the Woman God-crowned Keystone in WINDOW OF THE OPEN BOOK.}

The Woman God-crown Keystone

First Edition

First Edition

“The fourth chapter of SCIENCE AND HEALTH, ‘Christian Science versus {reverses} Spiritualism,’ corresponds to the fourth picture, the ‘Christian’ association of man to man as separate finite spirits, each communing with the other on a plane of ‘love one another,’ which Mrs. Eddy dropped from the sixth tenet—‘The intercommunion is always from God to His idea man,’ S&H 284.  ‘Scientific thoughts are true thoughts, passing from God to man,’ S&H 104:1-2.  Mrs. Eddy shows clearly, by her choice of Glossary Bible bases for this picture in back of Christ and Christmas, that such gatherings reverse this process.  {I believe that most religions believe in spiritualism – that Mind, Spirit, and Soul reside, and are held captive, in matter.  The number ten is symbolized in the wheels of the wheelchair.  This Illustration has no Star, it is lit by animal magnetism or electricity.}

First Edition

First Edition

“The fifth chapter in SCIENCE AND HEALTH, ‘Animal Magnetism Unmasked {spiritual enlightenment uncovers or reveals the nothingness of animal magnetism},’ corresponds to the fifth picture in Christ and Christmas, as evidenced by the grave of the twoness of man and Woman—‘The two witnesses,’ Rev. 11, and their rising above it into oneness.  Animal magnetism is the claimed twoness of being or position.  {I do not believe that the two female angels (originally Mary Baker Eddy had planned on there being three angels) represent the two witnesses, but rather the two Sentinels.}

First Edition

First Edition

C&C-C.S. Heal (B)

“The sixth chapter in SCIENCE AND HEALTH, ‘Science, Theology, Medicine,’ corresponds to the sixth picture in Christ and Christmas—the ministering Woman {Mary Baker Eddy}, ‘Science’; the man, ‘Theology;’ and the dark gowned {she is in a grey dress with a white collar – symbolizing the human (body) and divine (neck) coincidence} Woman {who represents the second angel or the second Sentinel}, ‘Medicine,’ petition, material ministration.  {There is a Pyramid (Mountain) Matrix that accompanies a symbolic explanation of Christ and Christmas (it is attributed to Judge S. J. Hanna).  This diagram has the sixth illustration as the capstone of the pyramid.  Thus, it is the focal point (main Illustration) in the book.  I would say that the dark mantle represents Mary Baker Eddy as Mother while the white mantle represents Mary Baker Eddy as the Bride.}

First Edition

First Edition

“The seventh chapter of SCIENCE AND HEALTH, ‘Physiology,’[10] corresponds to the seventh picture—‘Science of the functions of man‘ (Dictionary).  The BIBLE certainly unfolds this in its moral relationships, and the theology that makes mortal man as conscious of his moral or functional defects as materia medica makes him of his physical, is closed before the revelation of man’s immortal perfection as idea.  (S&H 115—“Moral”—shows there is no healing in the moral—“love, health, holiness,” comes in the “spiritual,” next page.)  {I am unaware of whether or not Alice Orgain new about the serpents sitting upon the “closed” BIBLE in the original drawings for the seventh Illustration.  To me, the serpents being placed upon the BIBLE means that scholastic theology (the old man in the rocking chair) does not spiritually understand the BIBLE (hence, it is a closed book to him) because scholastic theological serpent teachings have closed the BIBLE to mainstream Christianity.  I believe that the girl in this Illustration is the same girl depicted looking out the window in the 10th Illustration TRUTH versus ERROR.  Besides Jesus and Mary Baker Eddy this girl is the only one who has the seven-pointed Star of divine Science (the morning star, Venus) shining directly down upon her.}

First Edition

First Edition

“The eighth picture in Christ and Christmas corresponds to ‘Footsteps of Truth’.  In proportion as ‘human footsteps’ are taken within the imprints of the revelations of God through the BIBLE and SCIENCE AND HEALTH (wedding of the human consciousness to the divine, as typed by the Extension as subsequently unfolded)—rather than through new inspirational paths on earth sought despite their divergence therefrom (“The steps of a good man are ordered by the Lord”; “In all thy ways, acknowledge Him [His revealed laws] and He shall direct thy paths”)—the human consciousness yields wholly to the divine, and the symbols upon which the human consciousness learns its thought lessons yield wholly to idea, Truth.” (p. 492-496)
            This is not all that this Illustration depicts to me.  However, I will concede that along with the verse for this Illustration, what she says does make sense.

“The Way, the Truth, the Life—His word—
            Are here, and now.
Christ’s silent healing, heaven heard,
            Crowns the pale brow.” (C&C)

First Edition

First Edition

“The ninth chapter in SCIENCE AND HEALTH, ‘Creation,’ corresponds to the ninth picture in Christ and Christmas —Motherhood becomes one with its idea, Truth:  ‘Mind, Mother, Man’ being the subject of this picture, and the Glossary, Jesus’ repudiation of human Motherhood.  Thus Motherhood ends when ‘Creation’ ends.  {Notice that Jesus and Mary Baker Eddy are both found with their feet upon a square area of land.}

Second version of Truth versus Error

Second version of Truth versus Error

“The tenth chapter in SCIENCE AND HEALTH, ‘Science of Being’ is of necessity a revelation directly from heaven standing on the squared ‘platform’ of Christian Science, bringing the infallibility of divine metaphysics, S&H 330, with its thirty-two squares (S&H 330-340—Platform of Christian Science).  {The girl inside is embracing her own manhood, or man child, while they glance out to see their true identity.}

The Way

The Way

“The eleventh picture being a dual picture, ascending and descending, corresponds to two chapters—the first, ‘Some Objections Answered,’ which are the sole messages of the crosses and crown.  Were there no objections to be answered, nor resistances in our own consciousness, there would be no crosses nor crowns—even Jesus met the objections from his own humanity which made it possible for him to see our need and accept what seemed to be an outside element.  The black birds type our own raven (human reason) or sparrow (warring) concepts.  The descending portion of this picture corresponds to ‘Christian Science Practice’ in TWELVE—it is the twelfth chapter and the twelfth position in Christ and Christmas.  This is the heritage of the Branch, coming directly down from above.  The Branch Church must do its instantaneous healing in twelve.  This is the sun burst from which the white bird {dove – divine Science} is bringing its message of peace and the message of the last two provisions in ‘Christian Science Practice,’ given us in 1907 and 1908, (S&H 442:25-29; 30-32), when Mother through Extension was yielding to Branch.  The thirteenth chapter in SCIENCE AND HEALTH, ‘Christian Science Teaching,’ corresponds to the last stanza of Christ and Christmas, on p. 57—after even the Glossary of Christ and Christmas, as even that is human teaching.  ‘And he that overcometh, and keepeth my works unto the end, to him will I give power over the NATIONS.’  This is the promise as the result of growing from the roots and not from the stem of Jesse.” (p. 497-498)
            Let me interrupt here to say that perhaps chapters thirteen, fourteen, fifteen, and sixteen actually relate to our Capstone Illustration CHRISTIAN SCIENCE HEALING in that they are the center hub of Science (Key to the Scriptures), the Capstone of WINDOW OF THE OPEN BOOK.  While chapters thirteen “Teaching Christian Science” and fourteen  “Recapitulation” deal directly to teaching, we must examine the make up of chapter’s fifteen “Genesis” (spiritual creation versus material creation) and sixteen “The Apocalypse”.   Both of these final two chapters have a structure with sixteen gates – the completed matrix system of Science itself, consisting of the infinite divine calculus (the four living creatures) and the seven synonymous terms for God.  Where each gate, in turn, corresponds to its specific chapter from SCIENCE AND HEALTH.
            “…The white bird brings the Branch from heaven, and the power over the NATIONS corresponds to the 22nd chapter of Revelation:  ‘the leaves of the tree were for the healing of the Nations, not churches.  {Alice Orgain has said herself that twelve represents Church while thirteen represents Nation.  Israel is said to consist of twelve nations, however, this was extended to thirteen nations when Moses took Levi out of the wheel’s circumference of twelve and then divided Levi into four groups (four sides) to surround the Holy Tabernacle Tent of Meeting.  Today I have replaced Levi “ecclesiastical despotism” with Dinah “Love”}  But the water, Mind—S&H 507:3, that bathes the roots of this tree come ‘out of the throne of God and of the Lamb,’ Rev. 22:1, and is not the impartation of any personal teachings, nor book teaching.  Teaching ends in seven, and the healing in twelve must be done on a higher basis; so the concession provided for refuge in personal teaching ends when the problem demands a higher handling, S&H 464:13-20.  Heb. 8:8-13 contrasts the message of the nineteenth and twentieth centuries; teaching and healing; seven and twelve!  ‘They shall not teach every man his neighbor, and every man his brother, saying, Know the Lord, for they shall all know me, from the least of them to the greatest.’
            “Hence, teaching, rather the possibility of its perpetuity as an increasing function, passed into idea with The Mother Church in the ‘passing’ of Mrs. Eddy, as Mother,  {Again, why does this woman accept that the death of Mary Baker Eddy took place or was of a necessity?} the first and last president of the Massachusetts Metaphysical College—Motherhood and Teaching being one.  For what mother does not teach? and when teaching ceases, Motherhood ceases and vice versa.  Of course, Mrs. Eddy never abrogated what had already been done, hence, teachers were left to rise to their higher privilege.  May not this have been why Mrs. Eddy announced only silently her purpose in her Manual provisions—or rather prohibitions {I am guessing she is speaking about the estoppel clauses} and limitations of the authority of the Board of Directors—not disturbing what had been done, but prohibiting its future occurrence?[11]  This was her way—never to destroy, abrogate, but to let the next step be a higher privilege and evolution.  However, we may be assured that The (little) Mother Church was not closed until its upper level pressed for fulfillment, as all personal symbolism disappeared in the Extension—it stood for the teaching of the descending idea, the five.  ‘Give ye them to eat’ without depletion—the twelve basketsful remaining, for the source was divinity—the healing of twelve, based on the Association behind it, whose quorum was five, and although a ‘General Teachers’ Association,’ no teachers were necessary for a quorum, but the C.S.B.’s who had never taught—their message remaining in Mind without human adaptation.  Mrs. Eddy’s last instruction for teaching was given on p. 364 of My, ‘And he should teach his students to defend themselves from all evil, and to HEAL THE SICK, by recognizing the supremacy and allness of good’ (Healing and Teaching in Twelve).  This was given us in the Christian Science Sentinel, Nov. 13, 1909, perhaps simultaneously with the statement on p. 265:20-22 of SCIENCE AND HEALTH:  ‘error is unreal and OBSOLETE,’ as this was the last textual change made in our text-book, and that in 1909.  S&H 99:13-17; 103:15-17 and 265:20-22, were all added in 1909…With this heritage {square}, can we not let the Motherhood in idea, whose limit is seven and whose dwelling is the wilderness, depart as she has provided, and accept the heritage {square} of twelve that is expressed in the city foursquare, which is the upper level of the closed little Mother Church?  Motherhood translated into ‘Love’ (as Mrs. Eddy had planned in the entrance to her room) ready to wed ‘its own spiritual idea’ (Branch)! S&H 575.
            “‘On the swift pinions of spiritual thought, man rises above the letter, law, or morale, of the inspired Word [the only other place Mrs. Eddy uses “the inspired Word” than S&H 497 and 46], to the spirit of Truth—whereby the Science is reached that demonstrates God,’ My 238.  This is the interpretation of the closed books in one circle and seemingly empty circle in the twin windows in the Northern Gallery of The (little) Mother Church after the healing in twelve in the raising of Jairus’ daughter is reached!  ‘Based upon its divine Principle, Love, underlying, overlying, and encompassing all true being,’ S&H 496:18-19.
            “Thus ‘Genesis’ is underlying, ‘The Apocalypse’ is overlying and encompassing; and the ‘Glossary’ {S&H chapter 17} translates ‘things into thoughts,’ and exchanges ‘the objects of sense for the ideas of Soul,’ S&H 269:15-16, being an open door by which the human consciousness can lay aside its symbols in their function in idea, and realize the underlying Principle and overlying and encompassing Love—none of which processes can be symbolized, as they are the clear circle of the spiritual idea which has animated the twelve pictured processes!
            “Mrs. Eddy was always in {the hub center or capstone} THIRTEEN (wilderness), or FOURTEEN, as was Jesus, so far as their individual revelations were concerned, but were forced to come down to the level of the highest demonstration of channels or links for their message to reach humanity.  Had Judas, Jesus’ own tribe, proved true, Jesus could have revealed Thirteen and Fourteen to humanity as Jacob and Rachel had prefigured.  Jacob worked fourteen years for Rachel, which means ‘ewe; sheep.’  {He actually worked the full seven days and then had to repeat it.}  AS we all doubtless know a sheep can never be driven, but must be led; whereas a goat claims initiative of its own and types sin {a sheep will also follow a goat!}.  Thus originated the ‘scape-goat’ ceremony, and Jesus’ use of sheep and goats, Matt. 25:33.  So Rachel was a type of oneness with God, as was Abel, who chose for his offering a type of his own mentality.  This was Mrs. Eddy’s position in Mind; and Jesus typed the Lamb of God {spiritual idea}—their leading always from above.
            “Thus had Mrs. Eddy’s foster-son, Dr. Foster-Eddy, typing the son of regeneration, whom she re-named Benjamin (as evidenced by her Will), been able to stand in Church, it would have doubtless spared her all of her final struggles incident upon her putting herself into the Branch ‘before the time’ of our understanding, to complete the crown of Motherhood, for which the Extension was undoubtedly built.  Her son, Dr. Ebenezer (Benjamin) Foster-Eddy, was one of the twelve stars upon which The Mother Church was founded, and his star was removed prior to the removal of his name from The Mother Church.  {Which is seen in the comparison of the first and tenth Manuals.}
            “So, as Jesus was forced to put himself into organized Church (Twelve) and be crucified by it, Mrs. Eddy was forced to do the same, before the time of her necessity was understood; and yet, The (little) Mother Church windows on the upper level (“upper chamber”) evidence the fact that she did eat the Passover with her disciples as a Thirteenth (wilderness) element which is never separated from Fourteen, Love.  Mrs. Eddy’s last two windows on the upper level showing Thirteen and Fourteen—Jesus raising Jairus’ daughter, with twelve large golden rays behind, he the thirteenth, and Jairus’ daughter the fourteenth demand upon him—the healing of Church—the daughter even of the ruler of the Synagogue.  The next windows were the twin windows of the closed books, scintillating thirteen rays, and the clear circle—fourteen.  The lower level of the auditorium might be compared to the man {it is the woman Martha, not a man} bearing the pitcher of water, as typed by the Samaritan woman and Jesus at the well of Sychar, in the first window at the left entrance; and the six water-pots (each resting on a square and with a square resting on each of the water-pots from above) directly under the window of TWELVE—the Directors’ window of ‘The Open Book,’ unfolding the four sides of the city foursquare, surrounded by twelve stars; ‘The Open Book,’ SCIENCE AND HEALTH, being the thirteenth[12] element.  Thence across the open BIBLE and SCIENCE AND HEALTH (the BIBLE in the small window above the resurrection window {MARY FIRST AT THE RESURRECTION}; and SCIENCE AND HEALTH in the small window above the GOD-CROWNED WOMAN, the symbolic windows on the lower level {West wall for Science}), the open books in separate windows on the balcony level; thence to the window of the sun burst of twelve golden rays behind Jesus and Jairus’ daughter—the whole inset surrounded by beautiful noonday blue clouds—unmistakably fourteen elements involved; thence to closed books surrounded by thirteen scintillating rays, and the clear circle of the spiritual consciousness of FOURTEEN!  Thus the twelve hundred (seating capacity of The Mother Church) were founded on seven, and fed by fourteen, which could not have failed to take us to fourteen by way of the Extension, and of individual Branch, as city foursquare in twelve, fed by THIRTEEN and FOURTEEN in the sense of ‘And I saw no temple therein:  for the Lord God Almighty and the Lamb are the temple of it,’ Rev. 21:23—Thirteen (the Lamb) and FOURTEEN, the Lord God Almighty, which Mrs. Eddy correlates on pp. 576, 577 or S&H, particularly 577:4-11.  Thus we go from the first tabernacle in ideal man ‘creation,’ ‘motherhood’ to the {third tabernacle, “Truth”—the Concord Branch.} (p. 498-503)
            If, however, we were to begin on the North side of the Edifice, in the tone of the Word, we would have a completely different way of looking at the windows.  We would move from North to the East of Mother’s Room (for the Christ tone), then to the South side (for the tone of Christianity) and finally to the West side (for the tone of Science), where our final two windows (of most importance) would be WOMAN GOD-CROWNED (the fourth Mary window) and SCIENCE AND HEALTH as an Open Book.

earthstarvoyager            Earth*Star Voyager is symbolic of The First Church of Christ Scientist, in Boston, Massachusetts.  Captain Forbes “prosperous Leader” is in charge of this triangular little ship.  He is the only matured man on board.  All others are teenagers or young adults in their early 20s, although they are the very best and most intelligent young minds from Earth.  It is not long after Voyager leaves Earth that Forbes is mysteriously murdered (he is sucked out into space when he gets trapped in an air lock).  Is not Forbes our very own head Leader – Mary Baker Eddy – who has been forced out of her own Church (ship) that she is Leader of?  Alice Orgain writes that Mary Baker Eddy gave up being our Leader, however, if she retained the title of Reverend, then she retained her place as our Revered Leader!
            Admiral Beasley conspires to take over Earth*Star Voyager and leads her astray by guiding her toward Assembly (the union of Voyager with his Outlaw Technology Zone (outlaw meaning that it is in disobedience of one Church Manual) structure which is built by android drones (artificial intelligence).  But Voyager’s newly appointed Captain, Jonathan “divine Science” Hayes “hedged [enclosed] valley,” is unwilling to be so easily maneuvered into a trap.  Captain Jonathan Hayes symbolizes the city foursquare.  The Captain of the Vanguard Explorer, Jacob Dryden Brown, is like a gift to Voyager’s crew when he joins “good-ship kindergarten”.

TO BE CONTINUED…

[1] Christ and Christmas was first released on December 2, 1893, a Sagittarius.

[2] The description about the four Mary windows in Pulpit and Press 27:20 is incorrect.  The article has two descriptions for the same window (the 2nd Mary window) and does not include the Woman God-crowned Window (the 4th Mary window).

[3] Except the sun is a star!

[4] My emphasis in italics.

[5] I am not sure I agree with her on this point.

[6] I have a problem in this, the fifth Director was never one of Mary Baker Eddy’s students (disciples)!  He never took a class with her as his teacher.

[7] “Christ.” p. 492

[8] “Jesus.” p. 492

[9] Verse 10 speaks of the United States of America, in case you did not figure it out for yourself.

[10] I am not sure why she uses italics on this word.

[11] “Thus allowing them to respond to God’s determination, as they rightfully did in 1912 at the passing of Stephen A. Chase, a Director.” (p. 499)

I am not sure what she means by this, to my knowledge they replaced him with another person.

[12] “For SCIENCE AND HEALTH lying on top of the Bible scintillated thirteen rays.” (p. 502)

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